BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//PhilHist Unibas//NONSGML Phil Platform 4.0//EN
CALSCALE:GREGORIAN
BEGIN:VTIMEZONE
TZID:Europe/Zurich
X-LIC-LOCATION:Europe/Zurich
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:19700329T020000
RRULE:FREQ=YEARLY;BYDAY=-1SU;BYMONTH=3
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:19701025T030000
RRULE:FREQ=YEARLY;BYDAY=-1SU;BYMONTH=10
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
UID:even-n4tbt6rZyX
DTSTAMP;TZID=Europe/Zurich:20260516T220000
DTSTART;TZID=Europe/Zurich:20260517T133000
DTEND;TZID=Europe/Zurich:20260517T143000
SUMMARY:Panel discussion on The First Homosexuals
DESCRIPTION:This panel discussion will reflect on the central ideas and broader implications of the exhibition The First Homosexuals. It will start with an introduction to the exhibition’s conceptual framework by Jonathan D. Katz, followed by a conversation that will explore what it means to center homosexuality—a term that emerged in the late nineteenth century from legal theory, psychiatry, and medicine—as an art-historical category. What is gained by understanding art as a record of queer life and experience? How can queer perspectives help us to understand certain works anew? The panel will situate the exhibition within current debates in queer art history and in relation to other recent exhibitions. Particular attention will be given to the Swiss context of this second iteration following Chicago, as well as the exhibition’s engagement with questions of colonialism.

X-ALT-DESC:This panel discussion will reflect on the central ideas and broader implications of the exhibition The First Homosexuals. It will start with an introduction to the exhibition’s conceptual framework by Jonathan D. Katz, followed by a conversation that will explore what it means to center homosexuality—a term that emerged in the late nineteenth century from legal theory, psychiatry, and medicine—as an art-historical category. What is gained by understanding art as a record of queer life and experience? How can queer perspectives help us to understand certain works anew? The panel will situate the exhibition within current debates in queer art history and in relation to other recent exhibitions. Particular attention will be given to the Swiss context of this second iteration following Chicago, as well as the exhibition’s engagement with questions of colonialism.

LOCATION:Kunstmuseum Basel
END:VEVENT
BEGIN:VEVENT
UID:even-IOjPVKAgC5
DTSTAMP;TZID=Europe/Zurich:20260516T220000
DTSTART;TZID=Europe/Zurich:20260518T100000
DTEND;TZID=Europe/Zurich:20260518T153000
SUMMARY:Queer Art History – Methods and Terms
DESCRIPTION:This one-day workshop, organized in conjunction with the exhibition The First Homosexuals: The Birth of New Identities 1869–1939 at the Kunstmuseum Basel, engages with the methods and terms of queer art history. Curator Jonathan D. Katz and associate curator Johnny Willis will share insights into the exhibition’s conceptual framework and the research process behind this scholarly exhibition and publication project. A central aim of the workshop is to explore what queer methodologies can contribute to art historical inquiry, while also critically addressing unresolved questions and reflecting on the project’s limitations and omissions. The morning session, held at the museum, will consist of a joint walkthrough of the exhibition and discussion of selected works. The afternoon session, hosted at eikones, will focus on lesbian and trans artists, as well as the question of colonialism. It will further develop questions of methodology and terminology through a discussion of readings circulated in advance. 
X-ALT-DESC:This one-day workshop, organized in conjunction with the exhibition The First Homosexuals: The Birth of New Identities 1869–1939 at the Kunstmuseum Basel, engages with the methods and terms of queer art history. Curator Jonathan D. Katz and associate curator Johnny Willis will share insights into the exhibition’s conceptual framework and the research process behind this scholarly exhibition and publication project. A central aim of the workshop is to explore what queer methodologies can contribute to art historical inquiry, while also critically addressing unresolved questions and reflecting on the project’s limitations and omissions. The morning session, held at the museum, will consist of a joint walkthrough of the exhibition and discussion of selected works. The afternoon session, hosted at eikones, will focus on lesbian and trans artists, as well as the question of colonialism. It will further develop questions of methodology and terminology through a discussion of readings circulated in advance. 
LOCATION:Kunstmuseum Basel & Forum eikones, Rheinsprung 11, 4051 Basel 
END:VEVENT
BEGIN:VEVENT
UID:even-Ht59rhZXqk
DTSTAMP;TZID=Europe/Zurich:20260516T220000
DTSTART;TZID=Europe/Zurich:20260518T141500
DTEND;TZID=Europe/Zurich:20260518T154500
SUMMARY:The Moral Limits of Shaping Others: Love, Reproduction, and Childrearing
DESCRIPTION:Nanette Ryan (Singapore), “Cultivating Frugal Preferences in Children: A Response to the Climate Crisis” (co-authored with Joshua Lucza)
X-ALT-DESC:Nanette Ryan (Singapore), “Cultivating Frugal Preferences in Children: A Response to the Climate Crisis” (co-authored with Joshua Lucza)
LOCATION:online
END:VEVENT
BEGIN:VEVENT
UID:even-zPwdJDoCwV
DTSTAMP;TZID=Europe/Zurich:20260516T220000
DTSTART;TZID=Europe/Zurich:20260519T111500
DTEND;TZID=Europe/Zurich:20260519T140000
SUMMARY:«Schelers Anthropologie-Projekt»
DESCRIPTION:Prof. Dr. Wolfhart Henckmann - Vortrag und Diskussion im Rahmen des Anthropologie-Seminars von Prof. Dr. Angelika Krebs
X-ALT-DESC:Prof. Dr. Wolfhart Henckmann - Vortrag und Diskussion im Rahmen des Anthropologie-Seminars von Prof. Dr. Angelika Krebs
LOCATION:Kollegienhaus der Universität Basel, Raum 212
END:VEVENT
BEGIN:VEVENT
UID:even-y7RYiccdda
DTSTAMP;TZID=Europe/Zurich:20260516T220000
DTSTART;TZID=Europe/Zurich:20260519T180000
DTEND;TZID=Europe/Zurich:
SUMMARY:Max Fäh-Preisverleihung 2026
DESCRIPTION:Die Max Fäh-Preisverleihung für die beste Arbeit im Bachelorstudium und die beste Masterarbeit des akademischen Jahres 2025/2026 findet statt
X-ALT-DESC:Die Max Fäh-Preisverleihung für die beste Arbeit im Bachelorstudium und die beste Masterarbeit des akademischen Jahres 2025/2026 findet statt
LOCATION:Foyer des Philosophischen Seminars statt (3. Stock)
END:VEVENT
BEGIN:VEVENT
UID:even-OrvEr1kyjG
DTSTAMP;TZID=Europe/Zurich:20260516T220000
DTSTART;TZID=Europe/Zurich:20260521T000000
DTEND;TZID=Europe/Zurich:20260523T000000
SUMMARY:Living Borders
DESCRIPTION:Symposium organized by NOMIS Fellow Janina Wellmann
X-ALT-DESC:Symposium organized by NOMIS Fellow Janina Wellmann
LOCATION:eikones Forum, Rheinsprung 11, 4051 Basel 
END:VEVENT
BEGIN:VEVENT
UID:even-RI31RrCA05
DTSTAMP;TZID=Europe/Zurich:20260516T220000
DTSTART;TZID=Europe/Zurich:20260521T100000
DTEND;TZID=Europe/Zurich:20260521T160200
SUMMARY:Workshop zu Rai Gaitas „Good and Evil: An Absolute Conception” (Routledge, 2004)
DESCRIPTION:
X-ALT-DESC:
LOCATION:Alte Universität, Raum 0003 (Rheinsprung 9-11, 4051 Basel)
END:VEVENT
BEGIN:VEVENT
UID:even-8iPEulcEVa
DTSTAMP;TZID=Europe/Zurich:20260516T220000
DTSTART;TZID=Europe/Zurich:20260521T170000
DTEND;TZID=Europe/Zurich:20260521T190600
SUMMARY:«Keine konventionell anerkannte Begründung»
DESCRIPTION:Raimond Gaitas persönliche Stimme in der Philosophie von Prof. Christopher Hamilton
X-ALT-DESC:Raimond Gaitas persönliche Stimme in der Philosophie von Prof. Christopher Hamilton
LOCATION:Kollegienhaus, Seminarraum 212 (Petersgraben 50, 4051 Basel)
END:VEVENT
BEGIN:VEVENT
UID:even-NUKmoMP71g
DTSTAMP;TZID=Europe/Zurich:20260516T220000
DTSTART;TZID=Europe/Zurich:20260527T180000
DTEND;TZID=Europe/Zurich:
SUMMARY:Sommerfest
DESCRIPTION:Bei einem sommerlichen Essen im Vortragssaal oder im Innenhof tauschen wir uns über das vergangene Semester aus und geniessen Musik von Angehörigen des Seminars.
X-ALT-DESC:Bei einem sommerlichen Essen im Vortragssaal oder im Innenhof tauschen wir uns über das vergangene Semester aus und geniessen Musik von Angehörigen des Seminars.
LOCATION:MWS
END:VEVENT
BEGIN:VEVENT
UID:even-ay1NT27M9S
DTSTAMP;TZID=Europe/Zurich:20260516T220000
DTSTART;TZID=Europe/Zurich:20260527T181500
DTEND;TZID=Europe/Zurich:20260527T200000
SUMMARY:Media Studies and AI Literacies: Colloquium #5
DESCRIPTION:Für alle MA-Studierenden der Medienwissenschaft und weitere Interessierte.
X-ALT-DESC:Für alle MA-Studierenden der Medienwissenschaft und weitere Interessierte.
LOCATION:eikones Forum, Rheinsprung 11, 4051 Basel
END:VEVENT
BEGIN:VEVENT
UID:even-ESTj8vmtvx
DTSTAMP;TZID=Europe/Zurich:20260516T220000
DTSTART;TZID=Europe/Zurich:20260528T180000
DTEND;TZID=Europe/Zurich:20260528T200000
SUMMARY:Mittelbaukolloquium (ACHTUNG NEUES DATUM)
DESCRIPTION:Wolfram Gobsch
X-ALT-DESC:Wolfram Gobsch
LOCATION:kleinen Seminarraum 301, Steinengraben 5, 3. OG
END:VEVENT
BEGIN:VEVENT
UID:even-jKqYI5kDdg
DTSTAMP;TZID=Europe/Zurich:20260516T220000
DTSTART;TZID=Europe/Zurich:20260529T000000
DTEND;TZID=Europe/Zurich:20260531T000000
SUMMARY:Image and Heresy in the Medieval West and the Islamic World
DESCRIPTION:This conference examines visual discourses surrounding heresy across Latin Europe and the Islamicate world from the seventh to the sixteenth centuries. It highlights the complex roles images played in defining, contesting, and policing religious orthodoxy. At the same time, images themselves could be suspected of heretical potential. Accusations directed at artists, iconographies, and image practices reveal how deeply disputed visual media were within medieval religious cultures. By bringing diverse regional and historical perspectives into dialogue, the conference develops a comparative framework for understanding how visuality intersected with authority, belief, and exclusion. A joint event of the University of Basel and the Georg-August University of Göttingen.



X-ALT-DESC:This conference examines visual discourses surrounding heresy across Latin Europe and the Islamicate world from the seventh to the sixteenth centuries. It highlights the complex roles images played in defining, contesting, and policing religious orthodoxy. At the same time, images themselves could be suspected of heretical potential. Accusations directed at artists, iconographies, and image practices reveal how deeply disputed visual media were within medieval religious cultures. By bringing diverse regional and historical perspectives into dialogue, the conference develops a comparative framework for understanding how visuality intersected with authority, belief, and exclusion. A joint event of the University of Basel and the Georg-August University of Göttingen.



LOCATION:eikones Forum, Rheinsprung 11, 4051 Basel
END:VEVENT
BEGIN:VEVENT
UID:even-6ReNDlIBYr
DTSTAMP;TZID=Europe/Zurich:20260516T220000
DTSTART;TZID=Europe/Zurich:20260611T000000
DTEND;TZID=Europe/Zurich:20260612T000000
SUMMARY:Aesthetics of Facts and the Medieval Image
DESCRIPTION:Conference organized by Masha Goldin
X-ALT-DESC:Conference organized by Masha Goldin
LOCATION:eikones Forum, Rheinsprung 11, 4051 Basel 
END:VEVENT
END:VCALENDAR